Poems
Poems of Jaya’s can be found in The Penguin Anthology of Australian Poetry, Poetry International, Contemporary Australian Poetry, Thirty Australian Poets and in nine editions of the annual Best Australian Poems, and in magazines and journals such as Poetry Review, London Magazine and PN Review (UK), Kenyon Review, Jacket2, POETRY and Poetry Daily (USA), Poesia (Italy) and throughout Australia in Australian Book Review, Cordite Review, Marrickville Pause, Meanjin, Overland, Rabbit, Southerly, Stilts and more. Here is a sample.
from Change Machine (2020)

Her late hand
An anagram poem on the handwriting of one deceased
in Weekend Australian (17 Oct 2020)
in Best of Australian Poems 2021
in Change Machine (2020)
đ Read ‘Her Late Hand’ by Jaya Savige


âHer Late Handâ, Weekend Australian, 17 October 2020, Review, p. 18; collected in Best of Australian Poems 2021, p. 97.
Enjoyed this poem? You can find it and many others in Jaya’s latest collection, Change Machine (2020). Click below to order.


Whatever the question, the cordless
A poem on leaf blowers
in Shearsman 125-126 (Oct 2020)
in Change Machine (2020)
đ Read ‘Whatever the question…’ by Jaya Savige


âWhatever the Question, the Cordlessâ, Shearsman 125 & 126 (Oct 2020), p. 16.
Enjoyed this poem? You can find it and many others in Jaya’s latest collection, Change Machine (2020). Click below to order.


Starstruck
A Stephen Hawking poem
in Rabbit Poetry Journal 31: Science (2020)
in Change Machine (2020) đ
đ Read ‘Starstruck’ by Jaya Savige



âStarstruckâ, Rabbit Poetry Journal, 31: Science (2020), p. 86.
Enjoyed this poem? You can find it and many others in Jaya’s latest collection, Change Machine (2020). Click below to order.


Spork
A poem on hybrid vigour
in Australian Poetry Journal 9.1 (2019)
in Change Machine (2020)
đ Read ‘Spork’ by Jaya Savige



âSporkâ, Australian Poetry Journal, 9.1 (2019), pp. 86-87.
Enjoyed this poem? You can find it and many others in Jaya’s latest collection, Change Machine (2020). Click below to order.


Tristan’s Ascension
A poem on late pregnancy loss
in Poetry Review (Winter 2019-20)
in Change Machine (2020)
[R: Bill Viola, ‘Tristan’s Ascension‘ (2005)]
đ Read ‘Tristan’s Ascension’ by Jaya Savige


âTristan’s Ascensionâ, Poetry Review (July 2020), p. 34.
Enjoyed this poem? You can find it and many others in Jaya’s latest collection, Change Machine (2020). Click below to order.


Bach to the Fuchsia
A poem on fatherhood
in Australian Book Review (Jul 2020)
in Change Machine (2020)
[Photo: JS & one-week-old son]
đ Read ‘Bach to the Fuchsia’ by Jaya Savige


âBach to the Fuchsiaâ, Australian Book Review (July 2020), p. 34.
Enjoyed this poem? You can find it and many others in Jaya’s latest collection, Change Machine (2020). Click below to order.


Carousel
An anagram poem about the night
in POETRY (Chicago) 208.2 (May 2016)
in: Change Machine (2020)
đ Read ‘Carousel’ by Jaya Savige


âCarouselâ, POETRY (Chicago) 208.2 (May 2016), p. 117.
Enjoyed this poem? You can find it and many others in Jaya’s latest collection, Change Machine (2020). Click below to order.


Magnifera
An anagram poem about mango-picking
in POETRY (Chicago) 208.2 (May 2016)
in: Change Machine (2020)
đ Read ‘Magnifera’ by Jaya Savige


âMagniferaâ, POETRY (Chicago) 208.2 (May 2016), p. 116.
Enjoyed this poem? You can find it and many others in Jaya’s latest collection, Change Machine (2020). Click below to order.



Read & Listen
đ Listen to Jaya reading ‘Magnifera’ and ‘Carousel’, followed by the magazine editors’ discussion, on the POETRY (Chicago) podcast.

Fort Dada
A poem on decompressing at a spa
in Kenyon Review 49.2 (Mar-Apr 2017)
in Best Australian Poems (2017)
in Change Machine (2020)
đ Read ‘Fort Dada’ by Jaya Savige



âFort Dada’
Kenyon Review 49.2 (Mar-Apr 2017), 6.
Best Australian Poems (Black Inc 2017)
Enjoyed this poem? You can find it and many others in Jaya’s latest collection, Change Machine (2020). Click below to order.


Hard water
A longer poem on domestic violence*
in Meanjin (Summer 2019)
in Change Machine (2020)
*Trigger warning
đ Read ‘Hard Water’ by Jaya Savige




‘Hard Water’
Meanjin (Summer 2019), 4-6.
Read online here.
Enjoyed this poem? You can find it and many others in Jaya’s latest collection, Change Machine (2020). Click below to order.


I was driving north to Woombye
A Sunshine Coast gothic poem
in Stilts 6 (2020)
in Change Machine (2020)
đ±ïžRead ‘I was driving north to Woombye’ by Jaya Savige

âI was driving north to Woombyeâ, Stilts 6 (2020), Web.
Enjoyed this poem? You can find it and many others in Jaya’s latest collection, Change Machine (2020). Click below to order.


Ladybugs
A poem on self-harm*
in Poetry Review (Winter 2019-20)
in Change Machine (2020) đ
*Trigger warning
đ Read ‘Ladybugs’ by Jaya Savige

‘Ladybugs’
Poetry Review 109.4 (Winter 2019), p. 61.

Enjoyed this poem? You can find it and many others in Jaya’s latest collection, Change Machine (2020). Click below to order.


Hossegor
A poem on surfing & colonialism
in Island 146 (2016)
in Best Australian Poems (Black Inc 2016)
in Change Machine (2020)
đ Read ‘Hossegor’ by Jaya Savige


âHossegorâ,
Island 146 (2016); Best Australian Poems (2016)


Enjoyed this poem? You can find it and many others in Jaya’s latest collection, Change Machine (2020). Click below to order.


Surveying what adheres
A poem about what sticks
in Cordite 96 (May 2020)
in Change Machine (2020)
đ±ïžRead ‘Surveying What Adheres’ by Jaya Savige

âSurveying What Adheresâ, Cordite Poetry Review 96 (May 2020), Web.
Enjoyed this poem? You can find it and many others in Jaya’s latest collection, Change Machine (2020). Click below to order.

… from Surface to Air (2011)

First Person Shooter
A not-very-nice poem on Wikileaks‘ Collateral Murder
in PN Review 37.6 (Jul-Aug 2011)
in Contemporary Australian Poetry (2016)
in Surface to Air (2011)
đ Read ‘First Person Shooter’ by Jaya Savige




‘First Person Shooter’ in PN Review 37.6 (Jul-Aug 2011), 59.
in Contemporary Australian Poetry (2016)
in Surface to Air (2011).

Crisis
A poem on playing Missile Command as a child
in Surface to Air (2011)
đ Read ‘Crisis’ by Jaya Savige
Crisis
Once I was entrusted with a planet.
I was a child in a sweltering house.
All the world's peace was up to me,
quiet, crosslegged before the mouse.
The planet was a cinerous grey
and when the missiles rained their trails
shone like space's vivid blood
streaming where the darkness had been cut.
I cupped a palm and caught in it
the wild congealing light, so that
it wouldn't spill and burn the planet
and all the coughing creatures living on it.
in Surface to Air (2011)

Circular Breathing
A poem on hearing a didgeridoo in Rome
in Heat 14 (2007)
in Best Australian Poems (2008 Black inc)
in Contemporary Asian Australian Poets (2013)
in Contemporary Australian Poetry (2016)
in Surface to Air (2011)
đ Read ‘Circular Breathing’ by Jaya Savige




âCircular Breathing’, Heat 14 New Series (2007), 75.
Best Australian Poems (2008 Black inc)
Contemporary Asian Australian Poets (2013)
Contemporary Australian Poetry (2016)
Collected in Surface to Air (2011)

Summer Fig
A poem on subtropical lassitude
in Weekend Australian (20 Mar 2010)
in Best Australian Poems (Black Inc. 2010)
in PN Review 37.6 (Jul-Aug 2011)
in Thirty Australian Poets (UQP 2011)
in Surface to Air (2011) đ
đ Read ‘Summer Fig’ by Jaya Savige



âSummer Figâ
Weekend Australian, 20 Mar 2010, Review
The Best Australian Poems 2010 (Black Inc. 2010)
PN Review 37.6 (Jul-Aug 2011), 39.
Thirty Australian Poets (UQP 2011)
… from latecomers (2005)

Desires Are Already Memories
A poem of mourning
in latecomers (2005)
đ Read ‘Desires Are Already Memories’ by Jaya Savige
Desires Are Already Memories
I have come to expect
too much of the ocean.
The tide is out again
researching the month.
Somewhere to the north
lies a heart-shaped reef â
here, a scarab mid-hegira
from its burning island home
clutches in death
a charred Banksia leaf,
bloated and afloat only because
of its legsâ grim marriage
with the leafâs serrated edge.
And now I recognise
in its tough, unprisable grip,
the grasp and clutch and grab
and quip of everyone
whoâs ever known
what it means to not let
go the only thing to come
their way amid the salt scrim
and vicious sprint of the wind.
A union, then, with leaves and other
small commuters on the gust
of some apparent consequence;
for, what we seek to hold to
when the world has
loosed its hold on us
may be what prevents us
from never having been.
So the wind discloses
what we cannot relinquish,
even in death, then carries us
from our hearths to foreign beaches,
there to hit upon what we must,
what it means to be alone, at last â
even if only another island in the bay?
Sadness comes in a wave:
the ocean has no stake
in this, betrays no particular desire,
nor any to remember â
perhaps begrudging each our tiny fire.
Note: This poem takes its title from a phrase in Italo Calvino’s Invisible Cities.

The Master of Small Violences
A poem about clearing ants from a Queensland kitchen
in latecomers (2005)
in The Penguin Anthology of Australian Poetry (2009)
đ Read ‘The Master of Small Violences’ by Jaya Savige

âThe Master of Small Violences’, in latecomers (2005). Appears in The Penguin Anthology of Australian Poetry (2009).



Investment
A pistol shot to the moon
in latecomers (2005)
đ Read ‘Investment’ by Jaya Savige
Investment
I dare you to buy
someoneâs art
then murder them
so the price goes up.
in latecomers (2005)

The Dreamworld Murders
A poem about dreaming you know where the body is buried
in ‘Poetry Crimes’, Red Room Poetry (2006)
in latecomers (2005)
đ±ïž Read ‘The Dreamworld Murders’ by Jaya Savige
The Dreamworld Murders
I
If you like
I will take you to him.
The moment I saw
his body on the news,
I suspected myself of murder.
I will take you to the swamp
with the concrete blocks,
along the bmx track
dogs chase your bike down,
and show you the black water
where his face sings still.
II
Who funded these tunnels?
Who cut these stairs into
the cliff face?
And where would all the water
go without these weirs?
She is heavy in this water.
She is heavy on these stairs.
III
Step with me into the massacre
of shadows, my carport, where
thick sweaty ogres of darkness
elbow unremittingly.
I caught you earlier, prostrate
before the matron of the moon.
I overheard you asking
to be spared.
Step with me into the car
and I shall spare you.
IV
Spiders camp
in her mouth.
Timeâs bride yawning
in her wedding webs.
Roll her over to see
the young feed on her spine.
What flame through the enfilade?
Hurry, someone approaches!
Put things back the way they were!
It must appear as though
we were never hereâŠ
V (death by naming)
Behind the brick wall a dead tree
whose leaves are hundreds
of vagrant butterflies.
This then is the wardrobe
where the darkness begins,
and out there are the many things
the summer day discloses, things
the light touches and lends
existence to. Here I hold
your name
the way a spider tends
an exhausted glasswing,
but it slips from my web
and shatters on the cement
into a thousand tiny eulogies.
VI
I swear the weapon
is around here somewhere,
deep in the burgeoning suburb
of the past.
I intend to spend my last days
here, fossicking.
Only the rumour of the ocean,
its dark unsolvable crime,
and the sky littered with clues
that corroborate my alibi.
VII
I have been weak,
but now my strength returns.
Someone elseâs comics
in the letterbox â
planes blink in place
of correspondence.
In the red house across the road:
a family of raw meat.
There the worldâs last
sidekick lies unconscious.
VIII
One by one you killed-off
all your fathers.
The flexibility of bamboo â
you choose to wear no uniform.
A small faceless
animal faces me.
A corpse in loose cerements on
the back seat of the getaway car
IX
Pastures of nightshade.
The rainâs faint pulse.
The pain of knowing objects fades â
in the end we do not need them.
X
Death is in the bone
the wind picks with the leaves.
Youâve come so far
to discover all this
could be blown away
in one unimaginable gust.
Time becomes
a simple case of being
backed-up against the wall of death,
an indefinite series of last chances.
Death comes soon enough
which must be worse â
for then oneâs forced to say that
yes, they were lost
who did not know their way
among the vanishing.
Final poem in latecomers (2005)
Appears in Red Room Poetry, ‘Poetry Crimes’ (2006)


Read & Listen
đ Listen to Jaya reading ‘The Dreamworld Murders’ for Red Room Poetry (2006!)
Image Credits
Background images: Jr Korpa on Unsplash & Sean Mungur on Unsplash.
Photos for âBach to the Fuchsiaâ, âHard Waterâ and Hossegorâ © Jaya Savige. All rights reserved. âHer Late Handâ â photo from Mira Calligraphiae Monumenta or The Model Book of Calligraphy (1561-1596) by Georg Bocskay and Joris Hoefnagel. Original from The Getty. Digitally enhanced by rawpixelâ; âStarstruckâ photo by Vincentiu Solomon on Unsplash; âSporkâ photo by Partysquare; âTristanâs Ascensionâ still photo from Bill Viola, Tristan’s Ascension (The Sound of a Mountain Under a Waterfall) (2005); âCarouselâ photo by Anna Anikina on Unsplash;âMagniferaâ photo by Rajendra Biswal on Unsplash; âFort Dadaâ photo by Hanna Postova on Unsplash; ; âI was driving north to Woombyeâ photo by Megan Thomas on Unsplash; âLadybugsâ photo by Laura Vinck on Unsplash; âSurveying What Adheresâ photo by lackqueline @ ebay; âFirst Person Shooterâ screenshot from Wikileaksâ Collateral Murder; âCrisisâ photo of Missile Command (1980) by Atari from Polygon; âCircular Breathingâ photo by Karim Ghantous on Unsplash; âSummer Figâ photo by Eric Ward on Unsplash; âDesires Are Already Memoriesâ photo by Timothy Dykes on Unsplash; âThe Master of Small Violencesâ photo by Malcolm Shadrach on Unsplash; âInvestmentâ photo by Amauri MejĂa on Unsplash; âThe Dreamworld Murdersâ photo by Kahfiara Krisna on Unsplash.